Patti LuPone and Christine Ebersole grace the stage at the Goodman; Kelly and Jonathan grace the airwaves on Sunday mornings on WDCB!
plus K. raves over Between Riverside and Crazy (her summer home), while J. celebrates Pride Films & Plays’ adaptive reuse of an abandoned space.
On WDCB on Sunday, we discuss the US premiere of Simon Stephens’ play at Steep, and then K. recommends the two plays she saw at American Players Theatre up in Spring Green, WI.
We revel in Griffin’s blood-and-guts rendition of this tabloid-story-turned musical, then review destination summer theater—anywhere too far to drive home after the show.
Plus, we preview summer theater at Theater on the Lake, First Folio, Oak Park Festival, Chicago Shakespeare in the Parks, etc., etc. and highlight some free music, dance and film available
We disagree over the nature, purpose and value of Christopher Chen’s newest play (as we did over his last one, Mutt). Then we talk about the Chicago Reader expose of now-defunct Profiles Theater and how to get tickets for Hamilton. Finally J. praises the Saints for their philanthropy as well as their ushering, and K. recommends Constellations at Steppenwolf. A lively week!
We battle over this U.S. premiere of Deirdre Kinahan’s play at the Den Theatre. Then J. recommends Theatre on the Lake, opening June 15, featuring revivals of some of the best of the past year’s shows. Gary notes that on August 10 we’ll be the guest fighters in Cinema Slapdown, sponsored by Columbia College Chicago and taking place at the Music Box in Lakeview. The topic: the movie “Showgirls.” Guess which of us takes which position.
We differ over Interrobang’s The North Pool, the Midwest premiere of Rajiv Joseph’s play (I’m right, of course, and Jonathan is wrong). Then J. recommends Tug of War: Foreign Fire, Chicago Shakespeare’s mashup of several history plays, while K. picks Michael Bradford’s Migration at eta Creative Arts, another history play with music, this one about the Great Migration of African-Americans from the South to Chicago.
K. holds forth on shows in New York (hint: the best one had the most Chicago connections) and also recommends TimeLine’s Chimerica, while J. picks Thomas Jefferson, Charles Dickens and Count Leo Tolstoy: Discord at Northlight.
J. and K. assess this world-premiere musical about the Haymarket bombing and its sequelae. We’re enthused: what can you expect from a pair of old lefties? Plus: K. raves over The Sign In Sidney Brustein’s Window by Lorraine Hansberry, now running at the Goodman.