Category Archives: actors

DC split over David Rabe world premiere at Steppenwolf

The House does a dark take on Punch & Judy but it lights up J. & K.

The House Theatre of Chicago roles out a slightly-gothic world premiere by Kara Davidson, directed by Shade Murray and with fascinating puppets by Jesse Mooney-Bullock. If you thought P&J stood for peanut butter and jelly, you’d better think again. Davidson’s historical research is impeccable, with every character in the play–human and puppet–rooted in the actual history of Punch and Judy shows in England. Kelly and Jonathan are fascinated!

Two critics, Three Hotels: Bluebird Arts Presents Baitz’s Morality Play

 

Plus, Jonathan recommends Endgame and King Lear at American Players Theater in Spring Green, Wisconsin.

Three Men and a Babe: Chops at Theater Wit

Jazz lovers reminisce, scheme and try to recapture their old friendship; can they?  Chops examines.  A world-premiere entrant in the Mamet-Scorcese milieu.

We keep Company at Writers Theatre . . .

plus K. raves over Between Riverside and Crazy (her summer home), while J. celebrates Pride Films & Plays’ adaptive reuse of an abandoned space.

 

Wastwater at Steep Theatre: What’s that about still waters?

On WDCB on Sunday, we discuss the US premiere of Simon Stephens’ play at Steep, and then K. recommends the two plays she saw at American Players Theatre up in Spring Green, WI.

 

Feral at MPAACT: Beyond “Ripped from the headlines”

We review the world premiere of Shepsu Aakhu’s newest play Feral, about police shootings and the media circus which follows them, and then K. recommends The Lion in Winter by Promethean Theatre Ensemble at the Athenaeum.

The Mirror Has Seven Faces: Mary Page Marlowe by Tracy Letts at Steppenwolf

We grapple with this world premiere; plus K. picks The Book Club Play at 16th Street Theatre and J. picks Carlyle at the Goodman.

landscape

In brief: The Book Club Play at 16th Street Theater

K. sez:

The Book Club Play at 16th Street Theater affectionately skewers the title institution while giving serious consideration to the value of literature and witty lines to the characters discussing it.  Playwright Karen Zacarias captures deftly the territoriality often exhibited by club members when confronted with outsiders, as well as the ongoing tension about what (and whether!) to read.  An audience talk-back after the play had everyone deeply engaged in the play’s central question—“What is literature?”—even if most people wound up agreeing with the character who argued that being educated requires being open to high culture and pop culture alike.

Though Zacarias’s book group violates stereotypes by being co-ed, director Kevin Christopher Fox’s perfect pitch for this essentially female institution nonetheless came as something of a surprise.  Artistic Director Ann Filmer plays the group’s founder (or so the character claims) with just the right blend of overbearing-ness and insecurity, and she’s ably supported by the others, especially Jesse Dornan as the club-crasher who turns the group on its ear and its members on each other through nothing more than his desire to belong.

If you’ve ever been in a book group (particularly one that went sour) you should see this, and if you haven’t you’ll see this and congratulate yourself on your foresight. It’s selling well enough that they announced an extension on opening night, so don’t delay—it’s not like you have to read the book first!